https://drive.google.com/drive/folders/1Jq2yWt2Yu6bHtiUwHSSO_JzWIu8ezhdk
This is a huge experiment. Click on the link above and I think you’ll be able to listen to any of the pieces we did at our Christmas concert.
Or not.
We’ll see.
In case the link doesn’t work at least you can look at this pretty scene from the one day we’ve had sun in forever.
Tuesday night our community band kicked off the holiday season by making a joyful noise.
Last minute instructions before the show begins.
This year we did it with help from talented high school students who sang like angels. There’s something special about young voices raised in song above the music of a band. They brought a remarkable level of joy to the show, raised the bar, and made band members smile.
A little help from our elf.
I think our audience was smiling too, especially when all the little kids came up to ring bells in an invitation for Santa to arrive.
Santa, of course, makes everyone smile, and we enjoyed playing the classic Christmas Festival by Leroy Anderson under his baton.
Here we go!
It was even more special this year as the choir sang the carols and the audience joined in. I actually stopped playing somewhere in the middle, just to listen, because I was so enthralled by the glorious sound.
If you ever need reassurance that there is promise in this world, attend a musical event that includes students. These young people are so talented, so sincere, and their joy of music is infectious.
Elves sorting out elf duties prior to the concert.
Check out your local community and I bet you’ll find a Christmas concert near you. Support the arts in your town and hear some beautiful music. You’ll smile, the artists will smile and everyone’s heart will be warmed. And there’s nothing better than a warm heart on a cold winter evening.
Thanks to all of you that came out to our concert. It was magical, and we are so appreciative of your applause, whistles, cheers and of course for the standing ovation at the end.
It was our holiday gift to you, but we feel like we received something special too.
Santa takes a break in his busy schedule.
It’s been almost a week since I posted last. It’s not that I haven’t thought about it and all of you. Ideas for posts have slipped through my mind. Bits and pieces of stuff most instantly forgotten.
Fleeting morning light.
I’m distracted and I don’t know why. Could be that it keeps snowing and it’s cold. Could be that we haven’t had more than a few hours of sun in over a week. Maybe it’s the 7 day forecast which shows more snow coming.
And did I mention the cold?
Winter arrived early.
I have no plans for Christmas other than to take the dog for a walk somewhere fun. Unless it snows. Or maybe because it snows. She likes snow.
Me? I don’t think I like snow all that much any more. I remember as a kid having fun building snow forts and sledding down hills and ice skating on the lake. But these days I hurry the dog along on her walks and when she’s outside doing her business.
Quit being a drama queen mama, it’s not that bad.
It’s cold.
Why is it that when you’re traveling and it’s cold it’s fine, it’s part of the adventure. But when you’re home and scraping ice and snow off the windshield in the early dark morning it’s just about too much to bear?
Sometimes snow, sometimes fog. Sometimes both.
Alabama calls me.
But I’m trying to be a responsible adult and I have commitments here in Michigan that I need and want to honor. The most pressing of those being the Christmas concert I’m playing tonight at a local high school. I made a commitment at the beginning of the season to play a certain number of concerts. The dates were provided at the start.
To bolt for warmer temperatures now would be wrong.
Katie says she likes the cold and I should get over it. Katie doesn’t scrape the windows of a car whenever she wants to go to the park.
Can we go play now?
Maybe I should work on my Christmas cards to lift my holiday spirits. On the other hand so far we’ve received only three cards, one from our stock broker, one from Katie’s kennel, and one from an exceptionally organized friend.
It’s possible I’m not the only holiday spirit deprived, disorganized and distracted person out there.
Holiday spirit from another year.
If you need a holiday boost and you’re local, stop by the Clarkston high school tonight about 7 and hum along to some music in a warm auditorium.
I promise any snow you see there will be fake, but the holiday spirit will be real.
Happy Holidays!
Saturday evening found my husband and I in Ann Arbor with my Aunt listening to Gustav Mahler’s Symphony No. 9 in D major performed by the Ann Arbor Symphony.
I was a bit intimidated by the prospect of listening to the long symphony, over an hour and twenty minutes, with no intermission and no chance to change gears if it wasn’t something I enjoyed. I thought longingly of the concert last month filled with Dvorak and Gershwin. But I figured this one would be good for me.
And it was – in an unexpected way.
You see Saturday morning was the horrific mass shooting at a synagogue in Pittsburgh. Throughout the day I watched updates and wondered, again, how such things continue to happen in our country.
By Saturday evening I was overwhelmingly sad.
Music Director Arie Lipsky gave his typical lecture prior the the concert, explaining bits and pieces of the four movements, giving us a better understanding of the composer’s life and this particular piece. It’s thought to be Mahler’s goodbye, perhaps a foreshadowing of his fatal heart ailment, but, Maestro Lipsky said, the final interpretation of the meaning behind the music would be up to the performers, and ultimately us, the listening audience.
And there he paused, stared down at his score, then looked up with pain in his eyes and quietly dedicated the evening’s performance to the murdered members of the Squirrel Hill Synagogue in Pittsburgh.
My own eyes filled with tears. And as we settled into our seats to hear the music I wondered what my interpretation would be. What would I hear in this long piece on this, such a sad day?
And, it turns out, for me the music was intertwined in the events of the day.
As someone who has experienced the unexpected news about a violent death of a family member, all I could hear in this music was the raw emotion of the families left behind on this horrible Saturday morning. It was as if the music was describing the road each of them will be traveling as they move through their grief in the days and years ahead.
The first movement, Andante comodo, started out innocently, peacefully, much like the lives of the parishioners themselves as they settled into the service, like those people still in traffic on their way to meet friends and family as they probably did every weekend. But about two minutes into the piece there came a foreboding feeling.
Something was wrong.
At 5:45 into the music I could hear the news being spread, tension built, shock, disbelief and confusion were all being felt. The rest of the movement took me through the roller coaster of those first moments, hours and days after the event, the music filled with layers of rage and grief followed by bits of sweet memories and longing, always overcome with the deep swells of pain and sorrow.
The second movement, Im Tempo eines, represented, for me, a time in the future when family members have given themselves permission to be happy again. It started out with a lighthearted, though clumsy, dance. The family was, rightly so, a bit rusty in their happiness. But soon enough the music began to change tempo, to speed up and become a bit manic, as the nightmare of reality interrupts even the simple joy of dance.
The third movement, Rondo-Burleske, is all about the chaos, rage, and disbelief inherent in grief with an almost nightmarish circus motif. It was loud and fast from the very first notes, allowing for no contemplation, only emotion. And the interweaving themes kept pounding at our emotions until the abrupt end which forced a collective gasp from wide-eyed audience members.
There was a longer pause, then, between the third and fourth movement, Adagio, as the musicians seemed to collect themselves, to adjust their mindset from the frenetic third to the quiet resolution of this last movement.
And here, in the fourth, was where my tears fell again. For it was here that I felt the resignation and acceptance, the finality of the loss. The soft tones were contemplative, but there was a hint of joy too, hidden between the layers of deep pain, in the pools of grief.
The joy came from finally realizing that our loved ones, lost to violence, are safe now. And though it’s hard, so very hard, not to have them here with us, it became clear, as the last distant notes faded into the night air, that they are truly and forever home.
I felt a bit silly as I surreptitiously wiped the tears from my cheeks, but I noticed a few others doing the same. And then I stood, along with the rest of the house, to applaud my appreciation
So that’s my interpretation of Mahler’s ninth, heard on this particular difficult day in the history of our country.
If you would like to hear some of this Mahler piece, but don’t have over an hour to devote, I recommend listening to a few minutes of each of the first three movements and then to the entire fourth movement.
I trust Mahler will bring you a similar feeling of hope and peace.
Taken through the windshield of my stopped car. Because it was so pretty and so was the music.
When I got back in the car after loading 60 pounds of assorted seed into the back the radio was playing something that sounded familiar. I glanced down at the screen and smiled.
The Grand Canyon Suite was playing, and though I couldn’t remember much of it, I knew it was something I had enjoyed years ago when I was a kid.
As it was playing I was trying to remember if it sounded familiar because I had played it with my high school band. Still…I didn’t think that was it.
And then the movement with the mules and donkeys clip clopping down into the canyon came on and I had a sudden image of a green and white portable record player and I remembered. I’d had this piece on vinyl years ago and I’d loved it.
I turned the radio up and took the back roads home. By the time the piece ended I had no idea where I was, but it sure had been a beautiful drive.
Wonder where that record ended up.
The light was beautiful this morning.
Saturday night was the Ann Arbor Symphony’s first concert of the new season. If you weren’t there you missed something pretty special.
Beautiful music in a beautiful venue.
It started out with the premiere playing of Ann Arbor Saturday, by composer William Bolcom. The piece was commissioned for the symphony and depicted Ann Arbor on a football game day, from the initial flow of cars coming into the quiet town to the intense game itself, with the University of Michigan finally coming out on top. Of course.
Along the way it pays homage to other universities with bits of their fight songs woven into the main themes. The audience, most staunch supporters of University of Michigan football got all the jokes and nuances. Being a Michigan State graduate myself, I guessed at some of them, but thoroughly enjoyed the music.
And we heard Dvorak’s Symphony No. 9 (in honor of the symphony’s 90 anniversary), “From the New World.” It was accompanied by visuals, shown on a huge screen hanging above the musicians, of landscape photographs and videos depicting the natural beauty of this country.
There are four movements. My favorite, musically, is movement number two, the Largo. The spiritual “Going Home” was adapted from this movement and every time I hear it I get teary thinking about my parents and wishing they were coming home even though I know they are, now, truly home.
At the end of the piece there was a long moment of silence as the maestro and his symphony orchestra shared that connection of a piece well done. Then they stirred and the audience stood and applauded to acknowledge the beauty of the entire experience.
But the biggest, most magical moments of the evening occurred during Aaron Diehl‘s performance of two Gershwin pieces, “I Got Rhythm” Variations and Rhapsody in Blue. He’s a jazz pianist who improvised during the cadenzas, those parts of the music where only the piano played. Maestro Lipsky said, during the lecture prior to the performance, that his blood pressure was higher than normal during rehearsals of this piece because “I have no idea when or how Aaron is going to come out of the cadenzas. Each rehearsal has been different.” And as the music unfurled above us, rollicking, bouncing off the walls and ceiling of Hill Auditorium, you could see both Lipsky and members of the orchestra listening intently, waiting for the cue to come back in as Diehl’s fingers flew over the piano keys.
I was lucky enough to have a seat in the hall where I could see the artist’s face as well as his hands. He exuded pure, sweet joy that manifested itself into magic that flowed from his fingers and into all our hearts. His hands moved so fast it’s a wonder that, by the end of Rhapsody, the keys hadn’t all but melted. And speaking of Rhapsody – be still my heart – the clarinet in the beginning of the piece almost made me swoon.
Both pieces were extraordinary. And as the second one was coming to an end you could feel the anticipation building in the audience. We were on our feet cheering before he lifted his hands from the keyboard, before the last note had a chance to fade. The sound from the audience exploded with a noise so loud I’m surprised we didn’t make the evening news. You’d have thought someone had just kicked the winning field goal in a championship football game.
So I guess Ann Arbor won twice yesterday. The football team did, in fact, win their game. And music lovers who were lucky enough to be sitting in Hill Auditorium won too. Thanks Ann Arbor Symphony, for giving us, yet again, a wonderful gift.
I haven’t stopped smiling.
A little night glow.
I love outdoor concerts, and Tuesday evening I was treated to a band concert played on a lovely stage facing a green hill filled with people enjoying the music.
Pretty music and a lovely venue.
The band is made up of musical professionals in Southeast Michigan. Band directors at school districts across the region and other musicians get together to rehearse and then put on a fun and varied concert for all of us.
These people are good!
It was a lot of fun, especially listening to some pieces that I’ve played myself. It was an entirely different experience to sit in the audience where I got to hear parts of the music I’d never heard before.
What a lovely evening. Children laughed and ran up and down a hill off to the side. Birds sang from the trees, and swallows swooped and twittered overhead.
Swallows turned and swooped to the music.
One little boy in particular wasn’t interested in playing with the other children. He was mesmerized by the band and continually tottered down to the front to get a closer view.
Look between the two adults….see him down there conducting the band?
His mom would come and get him, carry him back up the hill, but the next thing you knew he’d be down front again, engaged in the whole experience.
Sometimes when I’m enjoying a concert at a hall I imagine all those notes rising up and layering high on the ceiling. I think about all the music that’s been played in the hall over the years. I like to think it’s still there, tucked into the curtain material, etched into the paint. Floating in the air.
Accepting well deserved applause.
Tuesday night as I watched the birds flying overhead I thought about this music having no roof, rising up and up into the clouds where it could be enjoyed by the world. Like ripples in still water always moving outward, I imagined the music gliding up into the clouds with nothing to restrain it. Moving into the heavens and then into space.
That thought made me smile. And so did the Southeastern Michigan Wind Ensemble.
You can likely have a similar experience this summer. Check around your town, there’s probably a concert in a park near you. They are mostly free, just bring a chair and spend an evening watching birds and children chatter while you listen to music as it floats on it’s way up to forever.
And then, hopefully, you’ll have a sunset like the one we had on your drive home.
I had to pull off the road, but this picture doesn’t do the sky justice.
And it got better, morphing into this when I got out into the country near home:
Pretty stunning.
It was the perfect ending to a perfect evening.
A great group of musicians.
Yesterday was Wolfgang Mozart’s 262nd birthday, and what better way to celebrate than to spend an evening with the Ann Arbor Symphony enjoying their Mozart Birthday Bash.
Did you know Wolfgang wrote his Symphony No. 1 at the ripe old age of eight? And that Mozart had a favorite pattern of notes, three notes rising, the fourth falling, which were included in both his first symphony, written as a child, and his last, Symphony No. 41, a symphony he probably never heard performed before his death at age 35?
I didn’t know any of that either.
Last night we learned all that and were privileged to hear both Symphony No. 1 as well as Symphony No. 41. And though you could clearly hear his childlike interpretation of music in the first, it was much more intricate that I could have imaged at age eight.
And Symphony No. 41? The fourth movement was my favorite, the most intense, the most intertwined, the most triumphant. It’s eight and a half minutes long. Get a cup of tea or coffee and settle back to listen, it will be time well spent. There’s so much going on in this movement, let it take you where it will.
Now, take a moment to listen to the first notes of Symphony No. 1. The juxtaposition between that first symphony and the very last symphony movement he ever wrote was breathtaking. Isn’t it amazing what he created within his short lifetime?
And on top of all that, the evening’s guest soloist, Chad Burrow, performed Mozart’s Clarinet Concerto in A Major. On a basset clarinet. Be still my heart.
All in all it was a special evening for this clarinetist.
As I sat listening to the symphony building up to the final moments, the music swelling, the entire hall entranced, I gazed up, lost in the music, and wondered. On this birthday was Mozart’s music being played all across the world? Were there concert halls and high school auditoriums and living room stereos playing Mozart in celebration? And was he listening from somewhere, tapping his toe, smiling a bit wistfully, happy to hear his work, glad not to be forgotten?
I like to think he was.
So, as Maestro Lipsky said last night – Happy Birthday Wolfie. Thank you for your gift to us all. I hope you enjoyed the Ann Arbor Symphony’s gift to you.
I know we did.
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The holidays are long gone, people are taking down lights and trees, putting away ornaments and tinsel and prized family heirlooms. Our community band’s holiday concert was way back on December 20th, barely a memory now. Up here in Michigan we’re hunkering down for the long cold winter, with not a lot to lighten the mood.
Unless you’re me.
You see, Tuesday evening the band’s sound engineer gave me my copy of the CD recorded at that Christmas concert. And today as I ran errands I listened to the music for the first time. Magic. This afternoon I drove much further and longer than I needed to in order to listen to the entire concert.
Twice.
And I’m still smiling
So thank you to the Clarkston Community Band for making such beautiful music, and thanks to Marshall for making CDs for us. And thanks to Shelley for choosing the program and directing it, and for inspiring us to do the very best we can.
This winter, if I need a pick-me-up, I know just what to do. I’ll put that Christmas CD in the player and take myself for a long ride.
May the spirit of Christmas keep you warm and happy until the spring sun comes back this way to brighten your days!
