music | Change Is Hard

April 14, 2014
by dawnkinster 19 Comments

Brahms and magic

Saturday evening + the Michigan Theater + the Ann Arbor Symphony = magic. Guaranteed. And even though I knew that going in I was still blown away from the start of this concert until the last thundering applause faded after the encore.

I’m no classical music scholar, I never took a theory class, didn’t play beyond high school until I reconnected through the community band, but I know when I’ve experienced something extraordinary. That happens every time I hear the Ann Arbor Symphony, but this weekend was beyond any expectations I could have had.

Saturday night it was all about Brahms, starting with Academic Festival composed by Brahms in response to being nominated for an honorary doctorate degree. The piece includes several student drinking songs, woven through the music. Who knew that composers back in the mid 1800’s had a sense of humor?

The second piece was The Black Swan: Intermezzo in A Major. What a stunningly beautiful piece of music. Transcripted for orchestra by Bright Sheng, a University of Michigan professor, the piece is based on Brahms’ composition for piano. It’s so beautiful you just have to listen to at least a little of it. Lush, contemplative, you can’t help but let the cares of the week slide off your shoulders as you let the music wash over you.

The last piece before intermission was Concerto for Violin, Cello and Orchestra in A Minor, played by two amazing young musicians, Itamar Zorman on violin and David Requiro on cello. They played seamlessly, often one began the phrase and the other completed it, almost as if there was a single instrument. Such talent. They so obviously loved doing this piece, and we loved hearing it. Mr. Requiro said it was an ‘indulgent’ thing to play because the first movement begins after only a few measures with a beautiful cello solo. My favorite movement, though, was the third. Listen to a little bit of it; how playful it is. I had a stupid grin on my face through the whole thing.

And as wonderful as all that was, after intermission I fell in love with Symphony No. 1 in C Minor. Though they say Brahms was a bit intimidated by Beethoven you can hear him pay homage to the other composer in this piece. It’s beautiful, from the suspenseful beginning to the triumphant conclusion. And the Ann Arbor Symphony pulled every bit of beauty out of the music. They left nothing in reserve, put it all out there on the concert stage. The audience didn’t even wait for the last note to drift away, the applause started immediately and continued until we convinced them to play us one last encore.

Ann Arbor, you have a gem in your symphony. Every concert is astounding and leaves us shaking our heads in amazement. Even if you don’t think you like or understand this kind of music take a moment and listen to a little bit through the links above. And if that intrigues you go to one concert of your symphony next season, try a little taste, open yourself up to the possibilities. You’ll have an experience you won’t forget. It’s so much more wonderful live and your symphony is..well…there’s no other word…just magical. Attend a concert next fall, let the music take you away, overwhelm you, transform your soul if only for one evening. Go listen to the Ann Arbor Symphony and experience the magic yourself.

You won’t regret it – I promise.

April 1, 2014
by dawnkinster 20 Comments

Pick a note

Most of you know I play in a community band. We practice on Tuesday nights. Tonight I was feeling guilty for not practicing during the week, and tired from a crazy day at work. I was thinking that maybe this one time it would be OK not to go to band. But I had music my husband had pulled from the music library that the director had requested, and I couldn’t just drop that off and run. So I stayed.

And I have to say, this evening, like every Tuesday night, I was glad I stayed to play. I let the music pick up my spirits, enjoyed the challenge of getting a little bit better at the parts I should have practiced, heard new rhythms and underlying phrases of other sections, figured out how some of it went together. I always leave rehearsal feeling better than I did going in and there’s something worthwhile in that alone.

I’m so lucky to have this outlet, a place to let the rest of the world go and just have fun; I don’t think most adults can say they have something similar. Certainly as we get older we get fewer opportunities to do something that other people actually applaud for. Music does that for me and don’t think for a minute I don’t appreciate it. Even when our audience is small I appreciate the fact they come out and clap enthusiastically. It makes those of us playing feel young again, makes us smile, makes us glad we could share the fun we get to enjoy every Tuesday night.

Tonight she handed out a new piece of music, something unique, with sounds not classical or jazz or rag. It is called “Africa: Ceremony, Song and Ritual” composed by Robert W Smith. You can listen to it here. It’s almost 9 minutes but worth the time.

At about 46 seconds in you’ll hear a weird sound, hard to describe, sort of like a metal whistle but not. Our tympani player is a high school student, and this instrument was in his part but he didn’t know what it was. The director found it for him, and he asked how to play it. It’s a metal rectangle with a piece sticking up and a wire of some sort. I can’t say I got a good look at it. She told him how to play it, he tried it out and then he grinned from ear to ear the whole rest of the piece. It was so neat to see a high school student enthralled with learning something new. I talked to him about it at the break, as he was practicing different effects out in the hall. He said it was dangerous, you could get your finger caught in it. I said it was dangerous because if it got played at the wrong moment everyone would know. He started laughing and said that was true about everything he played. Good point.

But the part in my music that made me stop, almost made me laugh out loud in the middle of rehearsal was this. Do you see it? At measure 180?

It says ‘pick a note.’ This is what went through my mind the first time we got to this measure: “Pick a note? What note? Should it be in the key we’re in? Probably not, probably it should be something weird, totally out of character. What would that be?”

It took me so long to analyze those three words that I missed playing anything at all during the two measures. As did most of the band. We all sort of petered out as our minds tried to comprehend that we could choose any note we wanted. For two whole measures we were free, and what we ended up doing was nothing much at all. I’m sure by next week we will have all chosen our note and the sound will be…well…interesting. On the recording these two measures start at 8 minutes and 37 seconds. You can decide for yourselves how strange and/or cool it sounds.

See? This is the kind of fun we have on Tuesday nights. We get to do different things, interact with different people. I wish everyone could do something just for themselves once a week. The world would be a better place.

Indulge yourselves. Find your passion. Grow a little, learn a little, meet a few more interesting people. You won’t be sorry.

And I promise, if I can get there, I’ll come clap for you.

March 1, 2014
by dawnkinster 7 Comments

Musician?

Music maker

After our community band’s back to back concerts last weekend we’ve had a week off. And as usual when I’m not up against a time constraint, not pushed to my limits, not facing epic failure, I didn’t practice my instrument at all. Not once. All week. I did take it out and clean it a bit. And I thought about practicing, surely that counts. So I had a somewhat pleasant jolt earlier in the week when our director sent an email out to everyone thanking us for two great performances, telling us how much she enjoyed Saturday morning when we played at the Community Band Festival, how she was honored to work with such a fine group of musicians.

Musician? Me?

I have never thought of my self as a musician. A musician practices daily, does exercises that aren’t any fun, limbers up fingers, breathes from the diaphragm, tightens the embouchure, can hear whether notes are flat or sharp and can fix it. None of that describes me now or at any time in my past.

Still.

She made me smile when I read her email because it had been fun, that early morning concert – the applause that seemed to last forever, the good feeling we had watching her take another bow, the celebratory singing on the way home. It was all fun, and I wouldn’t get to do that, experience that from my place in middle age, without a Community Band. I’m lucky we have one near my town, lucky that our director is exacting and can choose a good program, lucky to play with other folks who are so talented. Just plain lucky.

I was watching PBS a bit this afternoon. They were doing a show called “My Music” with groups of middle aged and older once upon a time famous (and some still famous) folks singing music from the 50’s and 60’s. I didn’t have any problem thinking of them as musicians, and as I watched the grey haired, slightly rotund musicians throw themselves lovingly into their performance I realized I was watching more of the lucky ones, the ones that get to keep doing the thing they love.

So here’s to all the musicians out there. The famous ones and the not so famous, the has beens and the never really made its. And to all of us who never quite considered ourselves to be musicians at all. We might just be the most lucky because we do it for nothing more than the sheer joy of making something so beautiful it lasts forever in our hearts.

She sent an email to thank us for being fine musicians. I think we need to say thank you back to her…for pushing us to be musicians at all.

Horn

January 27, 2014
by dawnkinster 8 Comments

Wide weekend spectrum

Aunt and the UM bell tower

It’s Monday night and I’m just finding time to tell you about our weekend. I seem to be perpetually behind. Obviously I’m spending way too much time at work. Yea, that’s it.

Saturday evening husband and I attended the University of Michigan’s Collage Concert. You’re heard me talk about these concert in past years. It’s bits and pieces of symphony, band, small groups, soloists, dancers and actors who perform one after the next, each in their own spotlight, the light bouncing from one side of the stage to the other, then focusing on the larger groups, and back to individuals.

Lots of talent

Every person was playing, singing, dancing or acting their hearts out. Each gave their art their absolute best. The combination was fast paced, magical and eclectic. It’s wonderful. Where else could we hear an alto saxophone solo playing the contemporary “The Brass Violin“ by Creviston, transitioning into a chamber choir singing “Ubi caritas“ by Mealor (sung at the royal wedding in 2011). I give you these two examples just to show you how divergent the works were that we enjoyed.

We heard bits of an oboe sole accompanied by a soundtrack of a poem complete with the sounds of birds, a jazz ensemble playing music that had us all tapping our toes and nodding our heads, followed by six men playing classical bassoon while wearing glittery jester hats, followed by 4 trombones playing a crazy contemporary piece followed by the soft tones of the chamber choir again.

Pretty details

It keep us engaged. It kept us looking excitedly for the next spotlight. Where else could we have ever hear a full symphony play a version of “Rhapsody in Blue” woven delicately with the University of Michigan fight song? I ask you where? Only in Ann Arbor.

It was fun. It was crazy. It was beautiful. And I was more than a little sad when the symphony began the familiar strains of Ravel’s “Bolero” because I knew that was the last piece. I’ve said it before, but it is truly amazing to witness that much talent all on one stage, all in one night.

We drove home in a lull between snowstorms happy and tired. We fell into bed late, anticipating a slow lazy Sunday morning. We did not factor in Katie.

Playing!

Katie woke me up at 5 a.m. She had to go out. I did the usual “GO LAY DOWN!” She did not. Though I tried again, in the end I got up and we went outside so she could pee. Shortly after coming back inside, with me back under the warm covers she asked to go out. Again. I got up and we went back out. Again. And again a few minutes later…and again…and again. I went out with her 11 times in 4 hours.

Eventually even I had to realize this was not normal and I got a few samples for the vet. We took her to the local emergency after hours vet (because why would this occur during regular vet hours?) along with her samples.

They took her in the back to weigh her and try for a more sterile sample…and then we waited. Katie waited in her Dad’s lap where she is most comfortable when she is in a scary place.

Sleepy little sick girl

She was so tired and stressed she fell asleep in his lap. I wished I could do the same. Shortly the results were back…she has a urinary tract infection. We got her meds, paid the $300+ bill, and headed home.

She settled in at home as if just going to the vet made her feel better. She got her first pill and seemed to be as good as new, though that doesn’t seem possible. She got her second pill late Sunday night and slept through the night. Today she seems pretty much her normal self. So I’m happy we didn’t wait till normal office hours today since she got relief so fast.

Still…it was a crazy weekend and I woke today sorely wishing it was a 3 day weekend. Katie says she wouldn’t have minded another day with everyone home either. But she’ll wait till next weekend to go to the park..given it’s stinking cold here…record lows predicted for tomorrow.

I sure wish we could all stay home and be nice and warm tomorrow!

Snowy

December 13, 2013
by dawnkinster 7 Comments

Santa visits

You’d think Santa would be too busy this time of year to drop in on our little local community band concert. You’d be wrong. We have a very special relationship with Santa, and he stops by every year for our holiday concert. (Photos from last year’s visit – I forgot the camera this year!)

This year he was almost late! He says it’s because he was halfway here when he realized he was wearing his Crocs instead of his Santa boots, so he had to go back to the Santa House and change his shoes.

It was a wonderful concert. Children were invited to come up on stage and shake jingle bells while we played Here Comes Santa Claus. We told them if they rang those bells loud enough Santa would come. And he did. Then the children danced to Rock Around the Christmas Tree while Santa directed the band. That was probably the highlight of the concert for their parents; you should have seen the little one’s faces. Priceless. I almost lost my place in the music because I was watching the kids dance.

The music was therapeutic for me too. It’s been a long week but it ended perfectly with beautiful music and a wonderful and supportive community all coming together to celebrate.

Merry Christmas everyone. Enjoy your weekend.

December 10, 2013
by dawnkinster 21 Comments

History repeats…and repeats

It’s Tuesday night and that means I was at band practice right? Well sort of. Tonight the high school was doing a holiday concert, and as we have several high school musicians in our community band who would be performing, we opted to attend their event and then claim the stage after for our own dress rehearsal. We have our holiday concert this Friday evening.

Today I had a specially difficult day at work and I wasn’t in the mood for holiday music, but the kids, dressed in their black suits and tux shirts or long black dresses quickly got me in the spirit. They were just so elegant, so confident, so very very young. And did I mention talented?

I watched them enjoy themselves as they produced wonderful music. I watched them lean in and let all that creativity float free. I watched them focus, concentrate, immerse themselves. And I saw in them my own high school band, saw their futures spread out before them, remembered so much of what they have not yet experienced.

I wish them a future filled with music. I hope when they look back 40 years from today they are sitting in the audience watching kids who are sitting elegantly, creatively, earnestly; kids preforming beautiful holiday music which helps to ease the day’s burdens and bring on the Christmas spirit. And I hope they remember tonight and all they felt as they made the music that washed over us. Better yet – I hope 40 years from now they are still playing in a band, still making music.

We gave them a standing ovation, then climbed up on the stage to rehearse our own music. Tired, we ran through the music for the concert, cleaning up a few little things here and there. I marked 4 measures I need to figure out before Friday, others did too. Our last piece is the classic “Sleigh Ride.” You know the one where the horse whinnies at the end? Everyone does it. Every year. Without fail. Still, it’s familiar, it’s Christmas, it’s fun. What better way to end a concert?

The musical version of horses clomping through snow was ringing in my ears as I trudged out to the car through fresh snow, the wind whipping at my legs, my eyes stinging, my fingers freezing. I was kind of loosing all that Christmas spirit. But as I turned on the ignition the radio sprang to life…they were playing “Sleigh Ride” and I began to hum along. And then I took the long way home, through the neighborhoods, looking at the Christmas decorations and singing with the radio.

Seems it just takes a little bit of music, a bit of reminiscing while watching talented kids play, a little music of my own, to let the cares of the day go. I recommend it to all of you. Check your local high school’s website. Every school band is doing a concert about now. Get yourself over there, support them and collect your reward – a renewed faith in kids, in holidays, in kindness and goodness and beauty.

You’ll be humming “Sleigh Ride” on the way home. I guarantee it.

November 24, 2013
by dawnkinster 12 Comments

It was a gift

Saturday night in Ann Arbor….for me that means the Ann Arbor Symphony. And though weather threatened snow we made the trip down for an evening of music. It was worth the drive.

They started out with Fratres for Strings and Percussion by Arevo Part, a contemporary composer. This work was written in 1977 and showcases his minimalistic style with six bars of music repeated, slightly differently, throughout the piece. It begins in the violins so softly you can barely hear and crescendos as cellos and finally the basses are added near the middle of the piece, then fades away again until you aren’t sure where it ended. The sound is contemplative, meditative, soothing.

The symphony’s Concertmaster violinist Aaron Berofsky was the featured soloist and masterfully played Tchaikovsky’s Concerto for Violin in D Major, Op. 35. He has a beautiful sound, extraordinary technique and it was a joy to hear this melodic and technically challenging piece. Mr. Berofsky spoke at the lecture before the concert and said he first began working on this piece when he was 15 and it has continued to teach him throughout his lifetime. The audience was so moved that it burst into extended applause between the first and second movement.

After intermission we were delighted by Tchaikovsky’s Symphony No. 1 in G minor, Op.13 “Winter Dreams.” Though I enjoyed the full and lush orchestration (usually my favorite parts of any symphony) of the first, third and fourth movements, I was caught off guard and extraordinarily moved by the second. (It begins at 11:42 on the link I provided.) Only a few minutes into it I realized my eyes were filled with tears and by the time the oboe and flute began their work together the tears were sliding down my face. I wiped them away surreptitiously thinking surely no one else was so moved. This piece is not played frequently and I told my Aunt after the performance that I could listen to it again right then. She grinned and responded “Wasn’t that second movement wonderful? I felt like I was floating.”

Symphony No. 1 has everything, the huge symphonic sound, the gentle tug on emotions, outstanding music for string, woodwinds, stunning horn work. If you’ve never heard a symphony please take the time to listen to this one. It’s worth every bit of the 44 minutes, I promise you. At least listen to the first two movements — I’ll bet you’ll be hooked and will stay for the rest.

Symphony No. 1 was composed in 1866, when Tchaikovsky was 25. As we drove home I tried to remember what I was doing when I was 25. I know I wasn’t creating something so beautiful that hundreds of people would sit mesmerized 147 years later. The combination of Tschaikovsky and the Ann Arbor Symphony is amazing; so wonderful so powerful, so relaxing. So beautiful that it defies description.

Last night the music was bigger than the hall. Surely it could not be contained in one room. Surely the music must have blown through the walls, burst through the ceiling and floated above the city of Ann Arbor. Surely it must have seeped into the spirit of all who live there, been expelled on the breath of everyone walking by, mingled in the hearts of all within miles, given up to the heavens and received by God.

As we walked out into the night we were greeted with snow. The holidays are upon us and the Ann Arbor Symphony had just presented us with our very first gift.

All I can say is thank you.

October 24, 2013
by dawnkinster 16 Comments

Scary concert

Practice practice practice!

Tuesday night was the last rehearsal before our Halloween concert. I need to practice every night. Every. Night. Last night I spent 30 minutes on a few measures of Damnation of Faust by Hector Berlioz. It’s all pretty good except for some transition triplets that, counting in two, I can’t seem to get. And it’s pretty much just us clarinets doing it…so at rehearsal it was mush. Really bad mush. I’ve written in the beats of each measure. I’ve slowed it down. I’ve counted it in four. I’ve tongued the triplets to keep track even though it’s not written that way. Sigh. I need to figure this out.

We’re also playing Vesuvius by Frank Ticheli. It’s supposed to represent a volcano. We aren’t quite there. I’ve been playing along with a recording of it for a few weeks. That helps a lot, but still this is one you have to keep counting and not get caught up in listening to anyone else. Take a moment and listen to it. It’s a pretty cool piece. If we had about 3 more weeks of practice it would work out. But the concert is next Tuesday.

And yes we’re playing some other music that we can get through with less angst. But I have to say, our concert’s title is apt. “Things that scare us.”

Cause I’m feeling plenty scared.

Fractured

October 14, 2013
by dawnkinster 14 Comments

Night music

Ceiling

I was lucky this weekend. I got to attend a Columbus Symphony concert on Saturday night. You know how much I love to listen to live symphony music, so it was a treat to visit Columbus, sit in a beautiful venue, and listen to such lovely music.

The program contained three pieces. The first, Brio: Toccata and Fantasy for Orchestra, was written by a relatively young composer, John Estacio, born in 1966. It felt like a lush movie background, perhaps the sound you hear behind one of those motion films seen on giant screens, where you’re in an airplane flying low across the country. At the beginning I could see herds of horses racing across the prairie, the majestic Rocky Mountains touched with snow. I felt the plane dip low into the Grand Canyon, then glide gently across farmland, barns glowing in the sun. Soon I was on the East Coast, swinging through New York’s Central Park, where the frenetic sounds of millions of commuters began to infringe on the calm. The piece ended, for me, in the streets of that city with people and taxis moving together in the crazy race of city life. I know these images are likely not the inspiration the composer used when he wrote this piece, but I thoroughly enjoyed imaging it my way.

Second on the program was Rachaninoff’s Concerto No. 2 in C Minor for Piano and Orchestra, Op.18. It starts melancholy, contemplative, but my favorite part was the second movement, so sweetly gentle, such a familiar melody. You’d recognize it if you heard, (I linked so you CAN hear) and you’d smile. I smiled.

Ornate

The last piece of the night was also familiar; Brahm’s Symphony No. 4 in E Minor, Op. 98. I thought my favorite movement of the four was the first. It’s so lush, so full, so familiar. But it turns out my favorite was the third movement with it’s grand entrance, jubilant and exultant moving into a playful dance.

Warming up

I was thinking, on the walk back out to the car, that if everyone could experience an evening like this just once in awhile the world would be a better place. There are so many bad things going on both here at home and across the world. Music like this is like comfort food. In fact I’ll risk calling it comfort music. I could feel the stress flowing out of my neck and shoulders as I sat and absorbed the music into my soul Saturday night.

I wish, truly wish, everyone could experience music live. If you ever get the opportunity attend a symphony concert one evening, even if you don’t think you like this kind of music. Just go. Close your eyes and let your mind float free. See how you feel. See what you imagine. It will expand your mind. It will let you breath.

Comfort music. We could all use a little more of it.

September 22, 2013
by dawnkinster 17 Comments

Music in the house

Saturday was the opening night of the 85th season for the Ann Arbor Symphony. There is something special about standing in a full house and singing the National Anthem, being supported by a full symphony orchestra, that made me realize how lucky we all were. Lucky to be in a beautiful place, lucky to be listening to such a fine orchestra, lucky to have family and friends to share it all with.

Warming up

This season will be all about contrasts, writes Maestro Arie Lipsky in the program. Opening night proved he was serious as we listened to Overture to Candide by Leonard Bernstein, with it’s full and lush orchestration bouncing between classic and crazy, to full on crazy with Commedia for (almost) 18th century orchestra by William Bolco, and back to sweet traditional sounds in the “Unfinished” Symphony No 8 in B Minor by Franz Schubert. And that was just the first half.

After intermission we were immersed in Igor Stravinsky’s The Rite of Spring, a pounding, intense and relentless dance telling the story of a pagan rite; sacrificing a young girl who dances herself to death in order to placate the god of spring. The music is difficult, to play as well as to hear, yet it is also impossible not to be drawn in, not to hold your breath, not to let it sink into your being.

As I listened I thought about all the wonderful music that has been heard and absorbed in this place. And I wondered whether hints of all the music that has come before has somehow been preserved in the crevices of the ornate ceiling, in the dark corners of the upper balcony. Maybe entwined in threads of the velvet curtains up on the stage are bits of notes from past concerts. I image late at night all these remnants of concerts past mingle in the air creating a collage of sound. That makes me smile.

Ceiling art

As usual the audience was on it’s feet as the last bits of music exploded above us. We were on our feet as the season opened singing with gusto, and on our feet as the evening closed showing our appreciation. And in between we were transported; nodding our heads, tapping our feet, holding our breaths and letting them out in a big exultant sighs of joy. Yes we are so lucky.

Extraordinary.

Family

Change Is Hard

…but change is certain.

Tag Archives: music